Message from Senseless about CD 4 Launch Party A:
It was our pleasure to participate in The Underground Compilation CD#4! Once again The Underground showed us how well-organized their events are. This event means a lot to us because this is our first well-recorded CD (I want to cry when I first look at the CD)! We had so much fun on stage and honoured to meet so many great bands, especially when we saw so many great female vocalists in one single night! These chances don’t come along very often!
A MILLION THANKS to The Underground team, Backstage, all the sponsors, the audience and of cause, KOYA, for making this happen!
- Senseless
Global Battle of the Bands Hong Kong 2010 Finalists
Live review from GBOB HK Final 2010
Senseless didn’t let the energy drop, with their pacy and surprisingly lively brand of punk. Their music is quite simply really fun to listen to, and it has that vivacious feel of good pop-punk. Their stage presence is infectious yet unforced – it never seemed like they were jumping around or headbanging just for the sake of it, and everything on stage happened organically. I’m also told that their lyrics were really clever and intelligent, containing plenty of interesting views on society – another important layer to for any good band. The combined effect was of a charming band that plays music that gets your toes tapping, while also making you think.
– Shashwati
Live Review from Underground 79:
SENSELESS, were next to take the cozy melting pot stage. I’m pretty sure I’ve said this before, but the melting pot’s décor and the mood it creates really does merit another mention. I’m gonna admit at this juncture that I was extremely hung over when turning up and turned down a shocked Chris B’s Asahi coupons. Where I was standing was a good level to hear the music clearly yet not be sonically beaten up by drum kits and guitars. I found myself happy at this, then slightly concerned as surely only old men find joy in such things. I soon snapped out of it when Senseless (Raymond, Kenny, Yuren, Elliot and Sailim) strike up their opening song, which had classic pop punk stamped all over it. When the guitars signalled the song was kicking in, the audience also took the cue to begin bopping their heads. I’m having difficulty making out what the singer is singing, but silly hungover me didn’t realise it was in Cantonese when the delayed brain finally processed it. Note to self, stop being lazy and make an effort to learn the damn lingo. Although I once again wasn’t able to enjoy their song topics, I was happy enough to appreciate the uplifting melodies and the backing vocals spot on harmonies. Now the main problem I have with Pop Punk, is that, you maybe have 4/5 different grooves and bands tend to use all. Basically what I’m saying is, I was hoping Senseless wouldn’t put on a cliché set. All credit to them as this was not the case. Their second song started off with a great little groove showing the bands versatility. One of their songs even contained a country music style break down. Suddenly I was at a ho-down and was tempted to start line dancing, which nobody wants to see. What I really liked about Senseless was that their songs went through different phases which always kept it interesting. Again only a short 4 song set, but I found myself surprisingly impressed. Kudos.
Tim - Hong Kong Independent Music Blog
Live Review from Underground 57:
Senseless helplessly started the set in Black Rain warning, even though when they started there was not much rain outside (an hour before the evening started, you could step outside and sing Albert Hammond’s “It Never Rains In Southern California”: “it pours, man, it pours“). The five young men practically played for the enjoyment of the other bands of the evening. It meant the later audience arrivals really missed a great performance.
This is truly a fun-loving band, and their lyrics (Chinese lyrics) show. However, they do show all the signs of a young band. I mean, they look young, they do silly choreographed moves, they are willing to suddenly jump, like they realized that … ooops, we’ve played for ten minutes without jumping, time to jump; now that’s not very rock-star, is it? They play a pop-rock style more borderline on rock than pop, but I wonder if it is intentional, that their instruments are all much quieter than the usual rock configuration, making the vocalist Raymond more prominent (a great vocal to begin with). I call this pop-mix. Normally I would say there is no place in live band music for such nonsense.
But, hear me out. I am a bit uncomfortable with bands who are too conscious of themselves; lots of “action”, and a bit of stylish guitar solo, a bit of bass runs, almost like they are in competition and they know what it takes to win. At times, I felt like suggesting that they pay attention to what they are saying to the audience through the songs (music and lyrics). Still, didn’t I say they are quite fun-loving? Well, their stage show does contain sufficient fun element. A friend was saying to me, how come their words are so mainstream pop? In that respect, they’re suddenly out of place.
But, hey, Raymond the vocalist is a rare treat, with a voice that cuts through the rest of the instruments, which makes it easy for a song to succeed. And on the last song, even the twin guitarists Kenny and Yuren started to jump around. They will grow.
Bun Ng
Quote by Senseless:The Underground’s show has always been very well organized. You just sit comfortably at home while all the show’s poster, flyers, stickers and tickets were mailed to your door. Once again, the Underground gave us a great night at the Melting Pot, with great venue, great mood, very helpful and friendly sound man and great audience! We only hope that next time if we have the chance to perform in The Underground’s show again, the weather can improve at least a bit. (We performed 2 times in Underground, both under heavy rain).
Performances:
Official Band Website: http://www.myspace.com/hksenseless
